Post-Post-Horror

Apparently LampLight has been post-horror for five years now… you’re welcome.

Snark aside, I think this article by Douglas Winter, will offer more insight into how this discussion even started.

Remember, outside of the small press / con scene, horror exists as a different animal. People wrote it off about the time the 7th Friday the 13th movie came out, and have imagined it has remained, unchanged, since then.

Even though that kind of story never represented the genre as a whole, in either film or page.

This is the exact reason I started LampLight. It is the exact audience I am hoping to reach. People who love this stuff, but don’t think it even exists. People who marketing uses ‘thriller’ or ‘suspense’ to reach, and the writers use the word ‘horror’ to describe.

Quiet horror. Post horror. Dark fiction. Dark fantasy. Supernatural thriller. Marketing words. And no, marketing words do not define the genre… but they can define the audience, and there in lies the post-horror discussion.

LampLight Magazine Subscription Drive

We have a goal, we want to get to 1,000 subscribers to LampLight magazine.

With this goal we will be able to acquire more great stories. We will be able to increase writer pay. With this goal, we will be sure that LampLight will be around for another 5 years.

Buy a Subscription, 10$ for One Year!

A subscription is convenient and saves money! For just 10$ a year you will get four great issues of LampLight emailed to you or direct to your Kindle. Ebooks will be available as epub, mobi and PDF.

And, as a bonus, get the current issue as well!

These are our subscriber goals:

  • 500 – Additional story per issue. Submissions periods increased.
  • 750 – Bonus issue of LampLight that will ONLY be available to subscribers. Payment cap removed.
  • 1,000 – Increase writer payments to 6¢ per word for new fiction, 3¢ per word for reprints.

Stretch Goals:

  • 2000 – We switch to bi-monthly, releasing SIX issues a year of great fiction.

We want to be around for a long time, and to bring the best dark fiction right to your hands. Help us achieve that. Pick up a subscription, help spread the word.

Buy a Subscription

All of the funds from these purchases are going straight to us, no cut from Amazon or Kickstarter. All of these funds are going right back into LampLight magazine to pay writers and editors in our community. Subscriptions support both the magazine and the podcast.

Missed out on some of the older issues? We have two ebook bundles set up as well:

  • Volume 3 – Featuring Yvonne Navarro, Mercedes Yardley, Nate Southard, Victorya Chase
  • Volume 4 – Featuring Tim Waggoner, Gene O’Neill, Jonathan Janz

Check on the bundles in our ebook store!

For more information on our titles:

The Past issues of LampLight

Apokrupha Catalog

One Problem Too Many

Ok, writers, let’s talk about “one problem too many”

In this, the writer has set the stakes, usually pretty high, say, “the world will end if this McGuffin doesn’t get put in the right spot”

That’s a pretty big problem. So we go along, watching our heroes work to overcome this. Inevitably, though, I’ve seen the “one problem too many” problem.

Which needs a better name.

The point of this new found problem is to increase tension, raise the stakes… but the stakes are already raised. You already have the world at stake.

To give an example, hopefully spoiler free, both Sunshine and Interstellar do this, and in the book, The Martian, it comes pretty close. The problems in Sunshine and Interstellar are high, impossibly high. And yet the movie still devolves into stacking additional little problems, which nearly overshadow the purpose.

This is not to say that you should make it easy for everyone. But rather that once you start stacking impossible problems on top of each other, the point where overcoming them is believable is left behind pretty quickly.

An example: Armageddon (yes the movie). They go to Mir to get gas, no big deal, meet the Russian, and then before we know it, it is a crisis and the station explodes.

Because the on-coming Texas sized asteroid isn’t enough.

Then one of the crew goes space crazy, or whatever, and starts to shoot the machine gun, which I’m still not sure why is there, and they have to duct tape him to a chair.

Because the on-coming Texas sized asteroid isn’t enough.

Then there are problems with the drilling, but that devolves into the group dividing in two and fighting over how they should proceed.

This. This is fine, this is the right kind of problem escalation. This is related to the on-coming Texas sized asteroid.

Then! at the end, someone has to stay, sentimental scene, the others take off, but NO, THAT ISN’T ENOUGH. The ground shakes, he loses the thing, it goes to the last second…

Because the on-coming TEXAS SIZED ASTEROID ISN’T ENOUGH.

So, when you are looking at your scope, think of your problems. The Texas sized asteroid was enough. It was always enough.

To counter, think of Star Wars. The Death Star is there, coming to destroy the base on Yavin. The base is in orbit, and once it is in line, the base will be destroyed. As the fighters get in close, the Empire launches fighters, one of which is Darth Vader himself.

Vader, however, is not one problem too many. He is simply an extension of the station defenses that have been plaguing the fighters. The problem is the Death Star.

There are not sudden betrayals, random broken parts, ship crippling solar flares, or the like to cloud things.

When you think about your climax, your overall plot structure, when you think about everything, make sure you aren’t stacking too many things on top of each other.