One Final Show Before the Infinite

I am listening to the final hours of a radio station, and I am thinking about death.

About death, about ends, about how things that unite us, define us, still pass.

100.7 The Bay has been on the air for decades. I used to listen to this station when I was young (and still inside the broadcast range), and while it was never my top choice, it held one of the sacred six presets in my car, a regular in my radio rotation.

And tonight (12 August 2026) at midnight, it will go off the air. The DJs are saying goodbye, playing final songs, telling memories. The listeners are saying goodbye, calling, messaging, saying thank you, making final requests, saying how much the station will be missed.

When things die, they leave a different mark on us. They take with them the connection, the emotions, the routines, the comfort of knowing where on the dial to go to be greeted by a voice we recognize, and music we love.

It isn’t just 100.7, radio is dying, more and more stations are being pulled down, replaced with mindless algorithms, safe and uncontroversial playlists that repeat on a just long enough rhythm you mostly don’t notice.

Let us all have a moment and remember when radio was something important, not just as a technology, not as an industry, but to us, the people, how we found music, how we found news and connections, how we knew when a band was in town.

The morning DJs signed off with “Fearless” by Pink Floyd.

100.7 is dying today, and I am thinking about what it what it will take with it. We would use stations as a way to identify our musical tastes, I listen to WHFS, I listen to i100, I like KROQ, I like WKRP. And it connected us to others who shared those presets on our car radios when we showed up, windows down at a red light, to find the person next to us jamming to the same tune. Listening to the radio wasn’t just something we did. It was something we did together.

We are lucky, 93.5 WRNR Annapolis has come back (with streaming for those, like myself, have long since moved out of range). It is truly a different and wonderful experience to listen to music played by a real DJ, to experience art curated by someone who loves the art and wants to share it. It is something Spotify, Pandora, and others have taken from us.

In the way you want a meal cooked by someone skilled, in the way you want your wedding photos taken by someone with experience, in the way sometimes you just need someone to drive you home.

I’m sure there are other independent stations pushing through the noise to return as well, let’s try and find them.

The midday DJ signed off with “Free Falling” by Tom Petty.

I continue my all day listening, because this isn’t just about a radio station that has been on since I was a kid, it isn’t about music, and how we have changed its importance in our lives, and not even about how radio was also a community.

It is, as too many things lately, really about death, endings, and how nothing, not just people, but even ethereal things, like radio, like community, escapes it. When the thread is cut, the thread is cut.

And more so, it is about the now, the present. We have to listen to the music while it is here, sing along, sing for ourselves, for anyone close by, make music, share with our friends, with those strangers at red lights, so when the lights go out, and they turn off our frequency, it will have been worth it.

The afternoon DJ signed off with “Just Breathe” by Pearl Jam.

As I keep my vigil on this station, knowing each song, each call out and DJ aside, each advertisement, each station identification is pushing us close to the inevitable stroke of midnight, I am grateful for the chance to say goodbye to an old friend, unlike WHFS, i100—my friends, Nikki, Mouse, Tim, Margie—even if this goodbye had to start with ‘I’m sorry it has been so long…’

And what a goodbye it has been, from the DJs, from the listeners and advertisers, memories and messages filled with love, joy and music.

May we all have the chance for such a send off.

(the radio signed off with “Stairway to Heaven” by Led Zeppelin)

Flag Day, a historical aside

Today is flag day. Garrison Keillor has an article up about the poem, The Defense of Fort McHenry, or The Star Spangled Banner as it would be later known as.

http://writersalmanac.publicradio.org/

But, you may think, how did that become our anthem?

Well, the music is from a song called “To Anecreon in Heaven” which was the official song of the Anecreontic Society in London. Now I have no idea what this society did in general, but they did drink.

And this song was not a ‘drinking song’ but rather a sobriety test. See, as we know from this year’s super bowl, this is a hard song to sing! So, when a society member wanted another drink, they had to sing a verse IN KEY to prove they were sober enough to continue.

Thankfully I’ve never had to do this, as I can’t stay on key singing “twinkle Twinkle Little bat”

So then what? Well, Key’s brother-in-law somehow noticed that this poem worked perfectly with the music to this not-quite-drinking song he just happened to know and got the paper to print it together. Even Washington Irving thought it was a good idea and reprinted it in his paper.

Next thing you know people are singing it all over.

It would be a be a while before it became our anthem, though. 1889 the Navy decided it would be the official tune played during the raising of the flag. In 1916 Woodrow Wilson ordered it be played at military occasions.

Two years later, 1918 it was played during the World Series, but not at the beginning, rather during the seventh inning stretch. I suspect it was moved to the beginning of the game since we all know you sing “take me out to the ball game” during the seventh inning stretch (which was written in 1908).

It would be 1931 before President Herbert Hoover signed the law to make the “Star Spangled Banner” our national anthem.

But hey, don’t believe me, go look! http://en.wikipedia.org/wiki/The_Star-Spangled_Banner

Two minor things. One: the flag that Francis Scott Key was writing about had 15 stripes, rather than 13, since at the time we were adding a star and stripe for each new state. Since that would have made the current flag look like a bar code, I for one am glad we stuck with just stars.
Two: there don’t seem to be many Woodrows anymore. Maybe it is time.

Monthly Music – May

This month we have Moby and a bit of Woody Guthrie, sorta. (Yeah yeah, it is June, it is close enough)

Moby – Destroyed (electronic)

I have had a thing for Moby since I first heard “Everything is Wrong” all of those years ago. (Almost too many to say aloud) Since then it has been a steady stream of great albums ranging from the quiet ambient (Wait for Me) to the get up and dance (Last Night).

Destroyed is more in the middle. There are a collection of ambient pieces towards the end, along with some more energetic stuff from the beginning. In a way it is close to the album structure of “Everything is Wrong”.

While I horribly biased, I love it. I’d been a huge “Hotel” kick as of late, and the two together are great.

Billy Bragg and Wilco, Mermaid Ave (folk/rock)

This is an older album (1997) but it is brand new to me, so I think it counts. The album is a collection of songs that were lyrically written by Woody Guthrie. He never got around to writing the music parts, and that is where Billy Bragg and WIlco come in.

The album is folksy for sure, but it is supposed to be. More than a few of the lyrics are political, and topics include the Great Depression to, well, Walt Whitman’s niece.

In the end, I bought it for “California Stars” which is a fantastic song. But I stayed for “Walt Whitman’s Niece” and all the rest.